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‘Signals’ is a choreographed live action performance made in response to a series of constructed sound loops that are triggered for the duration of the piece. It is based on an original set of sketches titled ‘Broom-Self/Mop-Spirit’ (1980) found in the Spect. Anon book by the late D. John Briscoe. The performance attempts to decipher fragments from the notes, drawings and typewritten texts, taking cues from invocations and litanies from the Egyptian Book of the Dead and suggesting relationships to breathing, air and marriage.
This project explores the unique and exceptional role of Coventry and the Midlands in the foundation of the British Black Art Movement (BAM) in the 1980s.
The ageing population has become a significant topic in the contemporary research agenda. The post-industrial economy of improved health care, leisure and bio-medical technologies has affected both the biological and social spheres of ageing, producing new challenges for individuals, policy makers and associated industries, including fashion. The need to better cater to older individuals’ needs and expectations is the focus of Ania Sadkowska’s resesearch.
The British Black Arts Movement (BAM) in the early 1980s was responsible for a paradigm shift in UK art history, bringing to the fore the issues, concerns, practices and aesthetics of marginalised artists.